Tag Archives: artist

“photography is telling stories.” – jim spillane

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attending the annual ann arbor art fair

i had great luck and the honor of meeting

photographer/human rights advocate, jim spillane.

i happened by his stall

drawn in by the beauty and subjects of his photographs

especially taken with his pictures of children

after much thought

finally decided on one

a young tibetan child

tiny hands held together in hello.

i asked jim his story

how he had come to take these stunning pictures all over the world.

once a criminal defense attorney in the gerald ford white house

representing vietnam war draft resisters seeking amnesty

he got sick, had a horrible experience

 changed his life

trained with an ansel adams associate

began traveling the world

taking photographs of people

his subject is the human condition and the connections and responsibilities we have for each other.

using his pictures as a way to create interest, open discussion, communicate, call attention to a cause

he has worked taking photographs of workers at a nepalese brick factory for many years

created a photo book of the workers

to speak out and to tell their stories with his photographs

still seeking to help those in need and to be an effective advocate for them.

he is a natural artist, storyteller, teacher, advocate, and man.

“in recognizing the humanity of our fellow beings, we pay ourselves the highest tribute.”

-thurgood marshall, former justice of supreme court of the united states

link to his website: jimspillane.com

link to his book, ‘the face of bricks’: https://www.blurb.com/b/9897011-the-face-of-bricks

resa.

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happy happy birthday to resa

https://artgowns.com/author/resamcconaghy/

costumer and designer extraordinaire

you are an amazing talent

telling stories with your styles

  making real life connections

between people in the realm of blogs

may you never stop creating art gowns, finding meaningful art in murals,

and being an incredibly creative and inspiring part of our story.

hello too from our whimsical blog circle who keep crossing paths:

gigi, dale, and holly –

art, poetry, nature, animals, peace, kindness, love, humor, style, stories –

compassionate creatives all.

“creative expression is not just a means of getting attention, although some have approached art that way. think of art as a way of connecting, of sharing your insights with others.”

-nita leland

 

finding dabls in detroit.

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i recently went with a group of colleagues/friends

to find the artist, dabls

working on his block in detroit

where we learned so much from him

an experience i’ll never forget

dabls’ installation-‘iron teaching rocks how to rust’ 

artist/storyteller dabls

uses materials as metaphors

to pass on his stories

of african and european art/cultures

open to everyone

he can be found working and sharing stories

on this abandoned block

that he has reclaimed

as his own and the community’s

most every day

dalbas mbad african bead museum

where each of his beads tells a story

dabls’ art has brought this house to life

 “Stories are able to help us to become more whole, to become Named.

And Naming is one of the impulses behind all art;

to give a name to the cosmos, we see despite all the chaos.”

-Madeleine L’Engle

The Kresge Foundation elected Dabls as “2022 Eminent Artist”

to recognize his accomplishments in the arts as well as his lifelong impact on Detroit’s culture.

to read his full story go to:

http://www.mbad.org/best-friends

or just stop by to see him.

exhibition comes into the light.

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At This Once-Secret Exhibition, the Met’s Security Guards and Staff Display Their Own Art

For the first time since 1935, the show is finally open to the public

A row of paintings leading to another gallery
More than 450 pieces made by Met staff members are on display in this year’s exhibition. Photo by Eileen Travell / Courtesy of the Metropolitan Museum of Art

Every two years, staff members at New York City’s Metropolitan Museum of Art get the chance to display their own creations on the institution’s hallowed walls. Since the tradition started in 1935, the exhibition has been something of a secret, open only to employees and their guests, Hyperallergenic’s Elaine Velie reports. But now, for the first time, the show is open to the public.

Art Work: Artists Working at the Met” features hundreds of pieces—including paintings, drawings, photographs, sculptures and digital installations—made by guards, librarians, conservators, educators, registrars and others who work at the Manhattan museum. More than 450 of the Met’s 1,700 employees contributed to the exhibition, which is held in the space next to the museum’s ancient Greek sculpture hall, Hyperallergic notes. The show accepts all staff-made submissions, which are installed by Met staff members working extra hours.

Daniel Kershaw, a Met exhibition design manager who has overseen the show’s curation for more than two decades, says he identifies themes that unify the disparate submissions, grouping pieces that work well together (for example, landscapes go next to other landscapes). This year’s show includes a photograph of Cuba, an oil painting of a partially frozen pond, a series on Black life in Brooklyn’s Crown Heights neighborhood, and jars and cans painted to look like tiny monsters, among other works.

Until this year, museum officials and employees were extremely furtive about the exhibition—so much so that the New York Times’ Corey Kilgannon struggled to find sources for a 2012 story on the show. When he visited the Met and asked guards about it, they told him they were forbidden to discuss it with the press.

After some more digging, Kilgannon found a few guards willing to talk, including Peter J. Hoffmeister, who expressed concerns about the secrecy around the event. “It’s complicated to have artists working for you who want their art on the walls—I understand that,” Hoffmeister told the Times. “But as an artist I think it should be public, because keeping it private defeats the purpose of having an art show.”

Some of the Met’s employees are artists who work at the museum to supplement their income, while others make art as a hobby, according to Hyperallergic. But everyone who submits to the show is balancing their art with their day jobs.

Back in 2012, one such individual was Christoper Boynton, a painter, photographer and museum guard. At the time, Boynton didn’t know why the show was closed to the public. “Maybe it’s because they would have to insure the art in the show,” he told the Times. “Maybe it’s that, if someone’s artwork is shown at the museum, people may think it’s being sanctioned by the museum.”

Art Work: Artists Working at the Met” is on view at the Metropolitan Museum of Art in New York City through June 19.

“exhibition-making is a process that involves collaboration with various participating artists.”

—yasumasa morimura

this time.

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even though

it’s mid-april

and the skies

delivered snow today

i thought back to a few days ago

when just like today

i had my sandals on

and came upon

a mother and child

in the sun

taking time

to create art

with simple and happy words

‘have a nice day’

for anyone in the neighborhood

who may come by

needing this message.

“this time, like all times, is a very good one, if we but know what to do with it.”

-ralph waldo emerson

raining popcorn.

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popcorn is art and one of my favorite snacks

(though it’s no flamin’ hot cheetos!),

something to consider on national popcorn day.

Raining Popcorn (2001) is a piece commissioned by the Faulconer Gallery of the Grinnell College in Iowa. The commission would take artist, Sandy Skoglund many months to complete. In Skoglund’s art practice, the conceptual subject matter works in conjunction with the physical materials she uses, drawing on historical references, and instilling them with psychologically complex meaning.

Produced in 2001, just before the September 11 attacks, Raining Popcorn references the complex roots of American contemporary culture and overconsumption. The unifying subject throughout the piece is popcorn, so pronounced and repetitive it replaces nature. The popcorn becomes an all-encompassing reality, lining the walls, the floors, the subjects, and alas growing from trees. This obsessive environment constructed by Skoglund derives from the artist’s desire to combine sculptures of animals, live humans, and nature into a space that involves thought and play, as part research and part recreation.

The abundance of Popcorn acts as a reflection of the cultural environment, being noisy, excessive, universal, and part of popular culture. Currently, Americans eat 13 billion quarts of Popcorn a year, produced mostly in the heartland of America, from Illinois to Ohio. The piece is a response to memories and experiences Skoglund felt as a graduate student in Iowa.

The painstakingly handcrafted quality of the endless popcorn creates a fantasy landscape, one that raises questions about climate issues and our surrounding environment, as well as fantasy and reality. In Raining Popcorn, Skoglund’s objects and composite staging have a base in truth; they are not a product of photoshop or digital manipulation. It is critical for the artist that the photographs evidence something genuine. The constructions are explicitly staged to be photographed from one unique viewpoint.

“americans love popcorn, and their love doesn’t quit.”

-rosecrans baldwin

 

Credits: Sandy Skoglund, Raining Popcorn – Holden Luntz Gallery

land art.

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 Every fall in Osijek, Croatia – Nikola Faller, academic sculptor and Osijek land artist, creates this magic.

Her drawings are made by raking leaves.

“every photographed object is merely the trace left behind by the disappearance of all the rest.

it is an almost perfect crime,

and almost total resolution of the world,

which merely leave the illusion of a particular object shining forth,

the image of which then becomes an impenetrable enigma.”

-jean baudrillard

 

 

 

image credits: plava planeta, suzana vida-suz