Category Archives: creation

on maple street.

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one of my personal idols

brilliant writer and social activist, rod serling

wrote this story in 1960, as a prescient warning

“The tools of conquest do not necessarily come with bombs, and explosions, and fallout. There are weapons that are simply thoughts, attitudes, prejudices, to be found only in the minds of men. For the record, prejudices can kill and suspicion can destroy; and a thoughtless, frightened search for a scapegoat has a fallout all of its own for the children, and the children yet unborn. And the pity of it is, that these things cannot be confined to the Twilight Zone. – Rod Serling, The Twilight Zone episode: The Monsters Are Due On Maple Street-1960

different.

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 this building

recently sold

interior updating work has begun

someone has a whimsical creative streak

and one of these chairs is not like the others. 

 

“creativity involves breaking out of established patterns in order to look at things in a different way.”
– edward de bon

finding dabls in detroit.

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i recently went with a group of colleagues/friends

to find the artist, dabls

working on his block in detroit

where we learned so much from him

an experience i’ll never forget

dabls’ installation-‘iron teaching rocks how to rust’ 

artist/storyteller dabls

uses materials as metaphors

to pass on his stories

of african and european art/cultures

open to everyone

he can be found working and sharing stories

on this abandoned block

that he has reclaimed

as his own and the community’s

most every day

dalbas mbad african bead museum

where each of his beads tells a story

dabls’ art has brought this house to life

 “Stories are able to help us to become more whole, to become Named.

And Naming is one of the impulses behind all art;

to give a name to the cosmos, we see despite all the chaos.”

-Madeleine L’Engle

The Kresge Foundation elected Dabls as “2022 Eminent Artist”

to recognize his accomplishments in the arts as well as his lifelong impact on Detroit’s culture.

to read his full story go to:

http://www.mbad.org/best-friends

or just stop by to see him.

exhibition comes into the light.

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At This Once-Secret Exhibition, the Met’s Security Guards and Staff Display Their Own Art

For the first time since 1935, the show is finally open to the public

A row of paintings leading to another gallery
More than 450 pieces made by Met staff members are on display in this year’s exhibition. Photo by Eileen Travell / Courtesy of the Metropolitan Museum of Art

Every two years, staff members at New York City’s Metropolitan Museum of Art get the chance to display their own creations on the institution’s hallowed walls. Since the tradition started in 1935, the exhibition has been something of a secret, open only to employees and their guests, Hyperallergenic’s Elaine Velie reports. But now, for the first time, the show is open to the public.

Art Work: Artists Working at the Met” features hundreds of pieces—including paintings, drawings, photographs, sculptures and digital installations—made by guards, librarians, conservators, educators, registrars and others who work at the Manhattan museum. More than 450 of the Met’s 1,700 employees contributed to the exhibition, which is held in the space next to the museum’s ancient Greek sculpture hall, Hyperallergic notes. The show accepts all staff-made submissions, which are installed by Met staff members working extra hours.

Daniel Kershaw, a Met exhibition design manager who has overseen the show’s curation for more than two decades, says he identifies themes that unify the disparate submissions, grouping pieces that work well together (for example, landscapes go next to other landscapes). This year’s show includes a photograph of Cuba, an oil painting of a partially frozen pond, a series on Black life in Brooklyn’s Crown Heights neighborhood, and jars and cans painted to look like tiny monsters, among other works.

Until this year, museum officials and employees were extremely furtive about the exhibition—so much so that the New York Times’ Corey Kilgannon struggled to find sources for a 2012 story on the show. When he visited the Met and asked guards about it, they told him they were forbidden to discuss it with the press.

After some more digging, Kilgannon found a few guards willing to talk, including Peter J. Hoffmeister, who expressed concerns about the secrecy around the event. “It’s complicated to have artists working for you who want their art on the walls—I understand that,” Hoffmeister told the Times. “But as an artist I think it should be public, because keeping it private defeats the purpose of having an art show.”

Some of the Met’s employees are artists who work at the museum to supplement their income, while others make art as a hobby, according to Hyperallergic. But everyone who submits to the show is balancing their art with their day jobs.

Back in 2012, one such individual was Christoper Boynton, a painter, photographer and museum guard. At the time, Boynton didn’t know why the show was closed to the public. “Maybe it’s because they would have to insure the art in the show,” he told the Times. “Maybe it’s that, if someone’s artwork is shown at the museum, people may think it’s being sanctioned by the museum.”

Art Work: Artists Working at the Met” is on view at the Metropolitan Museum of Art in New York City through June 19.

“exhibition-making is a process that involves collaboration with various participating artists.”

—yasumasa morimura

yellow.

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the kinder create with loose parts

dressed all in yellow. 

clearly in their yellow period. 

 

 

“yellow is the color which is closest to light.

we associate the rays of the sun and the stars with it.

it is the radiance of the spirit.”

– ueli seiler-hugova

creativity doesn’t wait.

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when you try and try

to make a snowman

 the fluffy, sticky, wet snow is gone

the icy, hard, dry snow is here

 you think and think

of another way

  just decorate a bump that you find

make a flat-puffy snowman

and there you go.

 

“creativity doesn’t wait for that perfect moment. it fashions its own perfect moments out of ordinary ones.”
– bruce garrabrandt

learning is creation.

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“what does our word say?!!”

(two kinder working together in my multi-age classroom, one older, one younger)

 

“learning is creation, not consumption. 

knowledge is not something a learner absorbs,

but something a learner creates.”

-george couros

 

 

common ground.

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my class has recently become enamored with a giant box of dinos

they play with them every day

create wildly imaginative scenarios

ask questions about real dinos

reassure me that the ones in our room are not real

one day when playing, a child asked

“would they wear masks if they were alive now?”

another jumped up to say

“never, ever, ever, ever, try to put a mask on a t-rex!!!!”

and an instant class book was born

what a brilliant title

others jumped in to offer reasons why you shouldn’t try to mask one

brainstorming was in full swing

some became illustrators

 it is a fascinating and funny work in progress.

dinos may have left the earth forever, but books will never die.

“stories are the common ground that allow people to connect, despite all our defenses and all our differences.”

-kate forsyth