one of the best parts of spending my days teaching
is hearing all the fantastical tales
that spring from the kinder
with their open eyes and open hearts.
—
image credit: nicolette sowder, wilderchild
what an unforgettable time
my grandson spent
with his schoolmates
helping to create
an original play in 24 hours
writers, actors, stage crew, director, light crew, props, costumes, staging, sound
it was a such a joy to see it all come to life on the stage.
—
“the theatre is so endlessly fascinating because it’s so accidental. it’s so much like life.”
-arthur miller
mac does its part with loose parts: an earth day art show
—
the children have been learning for weeks
about recycling, reusing, and repurposing
many kinds of materials
in honor of tomorrow’s holiday (earth day)
using the voice of art as expression
each child created an original sculpture
repurposing used items
finding new beauty in these discarded things
putting them together in new ways
inviting their families
to their ‘gallery opening’
each child filled with pride in their work
and a realization that they are artists.
“art is a form of exploration, of sailing off into the unknown alone, heading for those unmarked places on the map. if children are not permitted-not taught-to be adventurers and explorers as children, what will become of the world of adventure, of stories, of literature itself?
– michael chabon
memoirists, novelists, songwriters, television writers, screenwriters, comedy writers, social media writers, cookbook authors, newspaper writers, bloggers, it writers, comicstrip writers, standup comedians, human interest writers, 92 year old and 17 year old writers, actors, playwrights, short story writers, cartoonists…
so much creative energy all in one place
learning, listening, talking, writing, improv, playing, crying, laughing my face off with stomach hurting fun.
not your usual conference
not your usual hotel drawer reading material
—
“you can’t deny laughter; when it comes, it plops down in your favorite chair and stays as long as it wants.”
-stephen king
one of my personal idols
brilliant writer and social activist, rod serling
wrote this story in 1960, as a prescient warning
—
“The tools of conquest do not necessarily come with bombs, and explosions, and fallout. There are weapons that are simply thoughts, attitudes, prejudices, to be found only in the minds of men. For the record, prejudices can kill and suspicion can destroy; and a thoughtless, frightened search for a scapegoat has a fallout all of its own for the children, and the children yet unborn. And the pity of it is, that these things cannot be confined to the Twilight Zone. – Rod Serling, The Twilight Zone episode: The Monsters Are Due On Maple Street-1960
i recently went with a group of colleagues/friends
to find the artist, dabls
working on his block in detroit
where we learned so much from him
an experience i’ll never forget
dabls’ installation-‘iron teaching rocks how to rust’
artist/storyteller dabls
uses materials as metaphors
to pass on his stories
of african and european art/cultures
open to everyone
he can be found working and sharing stories
on this abandoned block
that he has reclaimed
as his own and the community’s
most every day
dalbas mbad african bead museum
where each of his beads tells a story
dabls’ art has brought this house to life
—
“Stories are able to help us to become more whole, to become Named.
And Naming is one of the impulses behind all art;
to give a name to the cosmos, we see despite all the chaos.”
-Madeleine L’Engle
—
The Kresge Foundation elected Dabls as “2022 Eminent Artist”
to recognize his accomplishments in the arts as well as his lifelong impact on Detroit’s culture.
—
to read his full story go to:
http://www.mbad.org/best-friends
or just stop by to see him.
For the first time since 1935, the show is finally open to the public
Every two years, staff members at New York City’s Metropolitan Museum of Art get the chance to display their own creations on the institution’s hallowed walls. Since the tradition started in 1935, the exhibition has been something of a secret, open only to employees and their guests, Hyperallergenic’s Elaine Velie reports. But now, for the first time, the show is open to the public.
“Art Work: Artists Working at the Met” features hundreds of pieces—including paintings, drawings, photographs, sculptures and digital installations—made by guards, librarians, conservators, educators, registrars and others who work at the Manhattan museum. More than 450 of the Met’s 1,700 employees contributed to the exhibition, which is held in the space next to the museum’s ancient Greek sculpture hall, Hyperallergic notes. The show accepts all staff-made submissions, which are installed by Met staff members working extra hours.
Daniel Kershaw, a Met exhibition design manager who has overseen the show’s curation for more than two decades, says he identifies themes that unify the disparate submissions, grouping pieces that work well together (for example, landscapes go next to other landscapes). This year’s show includes a photograph of Cuba, an oil painting of a partially frozen pond, a series on Black life in Brooklyn’s Crown Heights neighborhood, and jars and cans painted to look like tiny monsters, among other works.
Until this year, museum officials and employees were extremely furtive about the exhibition—so much so that the New York Times’ Corey Kilgannon struggled to find sources for a 2012 story on the show. When he visited the Met and asked guards about it, they told him they were forbidden to discuss it with the press.
After some more digging, Kilgannon found a few guards willing to talk, including Peter J. Hoffmeister, who expressed concerns about the secrecy around the event. “It’s complicated to have artists working for you who want their art on the walls—I understand that,” Hoffmeister told the Times. “But as an artist I think it should be public, because keeping it private defeats the purpose of having an art show.”
Some of the Met’s employees are artists who work at the museum to supplement their income, while others make art as a hobby, according to Hyperallergic. But everyone who submits to the show is balancing their art with their day jobs.
Back in 2012, one such individual was Christoper Boynton, a painter, photographer and museum guard. At the time, Boynton didn’t know why the show was closed to the public. “Maybe it’s because they would have to insure the art in the show,” he told the Times. “Maybe it’s that, if someone’s artwork is shown at the museum, people may think it’s being sanctioned by the museum.”
“Art Work: Artists Working at the Met” is on view at the Metropolitan Museum of Art in New York City through June 19.