even if your day was a bit crazy or didn’t go as planned or was tiring or..
here you are again
awake in a new day.
—
“yesterday ended last night”
-john maxwell

A new program in London will soon start giving away unsold theater tickets to those who couldn’t otherwise afford them. Called the Ticket Bank, it will aim to dole out 1,000 tickets per week to theater, dance, music and comedy shows. The tickets will be free or pay-what-you-can.
The Ticket Bank is an arts-oriented variation on a food bank: giving donations, or any available surplus, to those in need. The pilot program will launch on January 9, 2023 and run for one year.
“There are brilliant people putting together food banks and heat banks, but that doesn’t give humanity its basic needs from a soul point of view,” Chris Sonnex, who conceived of the idea, tells the Guardian’s Harriet Sherwood. “People who are suffering as a result of the cost of living also need access to community, entertainment and things that warm the soul.” Sonnex is the artistic director at Cardboard Citizens, a performing arts organization for people with the experience of homelessness. “Art,” he tells the Guardian, “is a human right.”
The initiative is focused on the skyrocketing cost of living, which puts cultural experiences out of reach for more and more people—especially in major cities like London. But it also aims to help cultural institutions like theaters, which have seen dwindling audiences due to economic crises and pandemic restrictions.
London isn’t the first city to launch a unique program to reinvigorate interest and participation in the arts. Several other cities, including Quebec and Brussels, have opened up their museums for free mental health visits in recent years. Twice yearly, during New York City’s Broadway Week, popular shows offer tickets at a majorly discounted rate.
Sonnex enlisted the Cultural Philanthropy Foundation, an organization aiming to “democratize access to culture,“ to help make the project happen. “Very rarely do you come across an idea that is so simple and brilliant that you can’t believe it doesn’t already exist,” Caroline McCormick, the foundation’s chair, says. “When Chris Sonnex told me his idea for the Ticket Bank, my response was as simple as his idea. ‘We have to make this happen.’”
Seven theaters have agreed to participate in the imitative: the National Theater, the Roundhouse, the Barbican, the Almeida, Gate, Bush and Tara theatres. Another seven will be announced in January.
“Everybody’s seen the value, everyone wants to make it work,” McCormick tells BBC News.
A group of London and UK-based partners will ensure the tickets reach people and communities in need or historically underserved by cultural organizations.
While “a million different barriers” make accessing the arts difficult, “one of the biggest is ticket prices,” Sonnex tells the Guardian. “It’s important to reach as many people as possible to say: This is for you.”
—
“i believe in the healing power of the arts,
and whenever you can bring art into anyone’s life, it’s a special thing.”
-austin nichols
The Tom and Jerry’s origins are frequently traced back to a publicity stunt orchestrated by British journalist, Pierce Egan. The story goes that he added brandy to eggnog to create a signature cocktail to promote his 1821 book, Life in London. A subsequent play based on the book, Tom and Jerry, or Life in London, has additionally been associated with the beverage. While this remains unverified, Egan’s work did make a meaningful contribution to the drinking world: the phrase “Tom and Jerrying” which means indulging in loud, drunken behavior.
No definitive records exist about the drink’s first appearance stateside, but in 1862, the famed New York bartender Jerry Thomas published a recipe for a Tom and Jerry in his book, “How to Mix Drinks, Or, The Bon-viant’s Companion.” (great title)
Historians are unclear as to why the Tom and Jerry became such a Christmas staple in the Midwestern United States, but it was popular enough to merit a cottage industry of Tom and Jerry drink sets, consisting of punch bowls and mugs inscribed with the drink’s name in Old English font. Milk glass Tom and Jerry sets were fairly common in the 1940s through the 60s. A New York Times article about the cocktail quotes author Jim Draeger, who surmised that the Tom and Jerry became a Wisconsin staple because the state has an affinity for brandy drinks, and is also a dairy state. Perhaps more than anything, the intense cold of the American Midwest has arguably solidified this warming drink’s staying power in the winter drinking traditions of the region.
note: we are currently dealing with blustery winds, blowing snow, white-outs, and single-digit – below zero temps, and i have always lived in the midwest (in michigan), but have never encountered or heard of this drink. any readers out there ever had this?
—
“heap on more wood – the wind is chill;
but let it whistle as it will,
we’ll keep our christmas merry still.”
-sir walter scott
—
source credits: gastro obscura: rohini chaki, photo-sam o’brien, nyt
since the early 70s,
the tree at the American Museum of Natural History has been decorated with paper ornaments.
this year it features origami critters—beetles, butterflies, and grasshoppers-
that represent exhibits past, and attractions coming in the new year.
(The New Yorker)
—
“what is coming is better than what is gone. let this belief aim you in the direction you need to go.”
-karen salmansohn
picture from a past solstice celebration
—
every year
one of my favorite things to teach and share with my class
is the story and traditions of the winter solstice
i get to play the sun
the children play the tilting earth and the seasons
who spin and dance and throw snow
as the season changes
the sun stays in the middle
offering extra light
to the other side of the earth now tilting toward it
knowing it will always return to them
even as our days grow shorter
they quietly rest on the ground
waiting, waiting
only to emerge
when the time is right
happy to dance once more
in the light of the warm spring sun.
—
*notes: here is my recipe for the winter solstice, and many thanks to all for your low-tech special effects support of this performance: torn paper snowflakes made by the children, many smiles, a bit of dizziness, a sun doing an interpretive dance, a person to turn off and on the classroom lights at just the right moment, a flashlight, a yellow paper sun, a dj to play the music (‘carol of the bells’ by george winston, and ‘here comes the sun’ by the beatles) at just the right time, and a class full of kinder/whirling twirling planets throwing snow, lying down, and awakening as emerging new life in the spring when the sun returns. somehow it all falls into place, each year a bit differently, as is the way of the world.
—
“spiritually, life is a festival, a celebration. joy is the essence of life.”
-agnivesh