planters is looking for “peanutters” to drive its nutmobile

 America’s highways will now play host to Planters’s NUTmobile. The 26-foot-long “peanut on wheels” ferries Mr. Peanut around the U.S., promoting the brand at various local events. And the company is currently on the hunt for three enthusiastic “Peanutters” to drive it.

Actually operating the NUTmobile is but one small part of a Peanutter’s role. They’re also expected to plan and execute events for Mr. Peanut and the NUTmobile to attend across the country. This includes things like booking hotels, communicating with local media to publicize the events, managing the NUTmobile social media accounts, and even dressing in costume to entertain visitors. The gig, which kicks off in June 2023, is quite literally a full-time job: 40 hours a week over five days, with plenty of variation in your weekly schedule depending on what events are on the agenda (and where).

It’s a one-year assignment, after which you could score an interview for a more long-term job in Hormel’s food sales department. If you have a bachelor’s degree, a valid driver’s license, and a hankering to cruise around in a giant peanut (and sometimes dress up as one), you can apply here by Tuesday, February 14. In addition to a résumé and cover letter, you’ll also have to upload“short video describing why you would make the perfect Peanutter.” Now’s your chance to turn your peanut butter obsession into a career.

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“in every job that must be done, there is an element of fun. “

-mary poppins

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sources: hormel foods, ellen gutoskey, wdiv-tv

A new program in London will soon start giving away unsold theater tickets to those who couldn’t otherwise afford them. Called the Ticket Bank, it will aim to dole out 1,000 tickets per week to theater, dance, music and comedy shows. The tickets will be free or pay-what-you-can.

The Ticket Bank is an arts-oriented variation on a food bank: giving donations, or any available surplus, to those in need. The pilot program will launch on January 9, 2023 and run for one year.

“There are brilliant people putting together food banks and heat banks, but that doesn’t give humanity its basic needs from a soul point of view,” Chris Sonnex, who conceived of the idea, tells the Guardian’s Harriet Sherwood. “People who are suffering as a result of the cost of living also need access to community, entertainment and things that warm the soul.” Sonnex is the artistic director at Cardboard Citizens, a performing arts organization for people with the experience of homelessness. “Art,” he tells the Guardian, “is a human right.”

The initiative is focused on the skyrocketing cost of living, which puts cultural experiences out of reach for more and more people—especially in major cities like London. But it also aims to help cultural institutions like theaters, which have seen dwindling audiences due to economic crises and pandemic restrictions.

London isn’t the first city to launch a unique program to reinvigorate interest and participation in the arts. Several other cities, including Quebec and Brussels, have opened up their museums for free mental health visits in recent years. Twice yearly, during New York City’s Broadway Week,  popular shows offer tickets at a majorly discounted rate.

Sonnex enlisted the Cultural Philanthropy Foundation, an organization aiming to “democratize access to culture,“ to help make the project happen. “Very rarely do you come across an idea that is so simple and brilliant that you can’t believe it doesn’t already exist,” Caroline McCormick, the foundation’s chair, says. “When Chris Sonnex told me his idea for the Ticket Bank, my response was as simple as his idea. ‘We have to make this happen.’”

Seven theaters have agreed to participate in the imitative: the National Theater, the Roundhouse, the Barbican, the Almeida, Gate, Bush and Tara theatres. Another seven will be announced in January.

“Everybody’s seen the value, everyone wants to make it work,” McCormick tells BBC News.

A group of London and UK-based partners will ensure the tickets reach people and communities in need or historically underserved by cultural organizations.

While “a million different barriers” make accessing the arts difficult, “one of the biggest is ticket prices,” Sonnex tells the Guardian. “It’s important to reach as many people as possible to say: This is for you.”

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“i believe in the healing power of the arts,

and whenever you can bring art into anyone’s life, it’s a special thing.”

-austin nichols