‘raindrops on weeds in a broken wall’
*photo/edit credit: hollie jane wright
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i find this photo so stunning
it looks like beautiful italian glass
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‘weeds are nature’s graffiti.’
-j.l.w. brooks
‘pere noel’
picasso created this when he was 78 years old
to give as a gift to his friends on christmas eve.
i really love this one.
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Pablo Picasso (1881-1973)
Père Noël
signed, dated and dedicated
‘Picasso 24.12.59. pour Gilberte et Serge’ (upper left)
colored wax crayons on paper
19 ½ x 13 3/8 in. (49.5 x 34 cm.)
Drawn on 24 December 1959
Maya Widmaier-Picasso and Claude Picasso have confirmed the authenticity of this work.
Picasso gifted this work as a present to Gilberte Duclaud and Serge Chauby on Christmas Eve 1959.
Duclaud was the owner of Galerie 65 in Cannes, which held multiple exhibitions for the artist.
Sold at Christie’s in auction and now in a private collection, 1970.
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‘anybody with artisitc ambitions is always trying to reconnect with the way they saw things as a child.’
-tim burton, american film writer/director
totally kid carousel
A Carousel Of Visions;Artist Brings the Fantasies Of Children to Magical Life
Artistic acclaim came early to Milo Mottola. When he was 8, his drawing of menacing tooth film with the slogan “Plaque is mean, so keep teeth clean” was such a hit it won him a $50 savings bond from a dental group and was made into a poster. Nearly 25 years later, Mr. Mottola, an artist who lives in Long Island City, Queens, NY, decided to try to find a way to give other children that same dizzy excitement and spark of confidence, without all those dentists.
What could be better, he thought, than asking children to draw the animals they would like to ride on a carousel — and then to make that carousel, carving the animals exactly as the children drew them? I wanted it to be as magical as the children who ride it,” said Mr. Mottola, who, in an echo of his own past, gave each child whose animal was chosen a $50 savings bond, and a lifetime of free rides on the carousel.
Above each animal, Mr. Mottola displayed the child’s original drawing, and on the floor beneath each animal, he carved the child’s signature. “I wanted the winners to have something that will last forever, where they can someday take their husbands and wives and say ‘I did this.’ “
The carousel is on permanent display in Riverbank State Park, the 28-acre park built three years ago atop a sewage treatment plant between West 137th and West 145th Streets in Harlem.
“improvisation, writing, painting, invention—all creative acts—are forms of play,
the starting place of creativity in the human growth cycle, one of the great primal life functions.”
— stephen nachmanovitch, Free Play
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Source Credits: Pam Belluck, Milo Mottola, New York City Department of Cultural Affairs, Percent for Art Program
Material: steel (alloy), wood, fiberglass
Address:679 Riverside Dr, New York, 10031, USA
Vik Muniz. Action Photo, after Hans Namuth from Pictures of Chocolate. 1997. Chromogenic color print. The Museum of Modern Art. Gift of Patricia Phelps de Cisneros in honor of Adriana Cisneros de Griffin through the Latin American and Caribbean Fund. © The Estate of Hans Namuth and Vik Muniz/Licensed by VAGA, New York, NY
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‘As part of the Artist’s Choice exhibition series at the Museum of Modern Art, Muniz curated a show drawn from the Museum’s collection, and MoMA has recently added to the collection a key picture by Muniz, Action Photo, after Hans Namuth from Pictures of Chocolate, and we hope to continue our exploration and appreciation of this leading artist’s work.’ -MoMa
To make his work, Muniz renders familiar images drawn from pop culture and art history in a variety of materials, and then photographs them. He has fashioned the Mona Lisa from peanut butter and jelly, Elizabeth Taylor from diamonds, Caravaggio’s Narcissus from junk, iconic news images from wet ink, and his self-portrait from dice. Muniz has referred to himself as an “illusionist,” and, with characteristic humor and ingenuity, explores the nature of representation in an image-saturated world.
One of Muniz’s most well-known bodies of work is a series of pictures rendered in chocolate sauce. Action Photo, after Hans Namuth (1997) is made after a 1950 photograph taken by Hans Namuth of Jackson Pollock frozen in mid-dance as he was making one of his paintings, Autumn Rhythm. Muniz’s subsequent appropriation and translation of this image into chocolate is a perfect marriage of subject and material. The viscous chocolate syrup (incidentally, he used the brand Bosco) is a perfect stand-in for Pollock’s wet, shiny paint drips. This new acquisition not only strengthens the Museum’s Muniz holdings, but is a welcome complement to MoMA’s rich Pollock collection .
Vik Muniz is a Brazilian artist and photographer. His work has been met with both commercial success and critical acclaim, and has been exhibited worldwide. In 1998, he participated in the 24th International Biennale in São Paulo, and in 2001, he represented Brazil at the 49th Biennale in Venice, Italy. He currently works in New York City and Rio de Janerio.
while this is not me,
this is my exact style of painting with chocolate
while not quite as celebrated as vic’s
they are not as in demand
and have not yet been exhibited in public.
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on world chocolate day
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‘i’las cosas claras y el chocolate espeso.’
(ideas should be clear and chocolate thick.)
-spanish proverb
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source credits:MoMa, Inside/Out
“man needs spiritual expression and nourishing….
even in the prehistoric era, people would scrawl pictures of bison on the walls of caves.”
*-fernando botero

the dandelions have returned, and i couldn’t be happier.
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“Every year,” said Grandfather. “They run amuck; I let them.
Pride of lions in the yard. Stare, and they burn a hole in your retina.
A common flower, a weed that no one sees, yes.
But for us, a noble thing, the dandelion.”
-Ray Bradbury, Dandelion Wine
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art credit: garth williams, (the rabbit’s wedding) – rabbit basking in the moonlight