happy birthday to frida
one of my favorite artists
thanks for keeping the flowers
and everything else you painted,
so alive.
—
“i paint flowers so they will not die.”
-frida kahlo
—
image: the art of knowing, by frida kahlo, angst gallery
i have always had a great love of paper
especially handmade
each piece unique
the feel, the smell, the beauty,
the unlimited opportunities
to decorate it, to write and draw and paint upon it,
to fold it, to cut it, to wrap with it, to read from it, to create with it.
the short film below is a glimpse into the life of an artisan
who is also passionate about paper.
—
“The Papermaker“ is a short documentary about one of the last handcrafting papermakers in Europe and his great love for paper. Gangolf Ulbricht makes unique tree- free papers by hand. For international artists, conservators, photographers, printers and many more. He learned his uniqe craft in Germany, Japan, France and England. In this short film we see him producing his fine paper in his basement studio in the Arthouse Bethanien in Berlin-Kreuzberg. He talks about his love and dedication for this craft – and it ́s future. Gangolf has worked for a number of known artists like: Jenny Holzer, Louise Bourgeois, Guenther Uecker, Jonathan Meese, Damien Hirst, Christiane Baumgartner, Matthias Weischer and many more.
https://uncrate.com/video/the-papermaker/
—
“fill your paper with the breathings of your heart.”
-william wordsworth
—
credits:
Directed by DANIEL EGENOLF
Director of Photography LINE KÜHL
Edited by BORIS SEEWALD
Music by RALF HILDENBEUTEL
Sounddesign by ALEXANDER HEINZE
Produced by kingsandkongs.de
the funoodler,
a food-safe reloadable hot gun that can doodle, draw and design with cheese
For a limited time, the laughing squid store is featuring a great deal on this gem.The Fondoodler is a super simple, food-safe reloadable hot gun that melts most types of string, shredded, block or sheet-style cheese in a cylindrical canister, just like a hot glue gun. This product is available for only $17 – an 43% discount on its original retail price of $30.
FEATURES
SPECIFICATIONS
Fondoodler: a hot glue gun, but for cheese. A scientific breakthrough to transform the way we live, the way we think, and the way we put cheese on stuff.
“the poets have been mysteriously silent on the subject of cheese.”
—
credits: laughingsquid.com,lori dorn,
Spread across two floors of a regal old 1920s bank building in Astoria, Oregon, this collection is packed with unexpected finds at every turn. It’s a smorgasbord of quirky curiosities, so you never know what treasures or trinkets you’ll come across.
There’s little rhyme or reason to the assortment of oddities. The oldest item, a Native American chair seat made from colored porcupine quills, dates from the 1850s. But the rest of the whimsical wonders are a medley of old and new artifacts from around the world.
You can climb inside a full-sized replica of a British canal narrowboat parked unceremoniously within the old bank building, scan the exhibits for intricate wax boxes, or simply wander the room until you stumble across a piece of vintage clothing or jewelry that sparks your interest.
There are so many things to see, it’s difficult to decide where to start. A striking collection of Folies Bergère dresses and hats immediately catches your eye as you enter—some of the hats even have the name of the dancer who once wore them scrawled inside. Dolls, both daintily beautiful and disturbingly lifelike, are scattered throughout like well-stationed guards. Taxidermy creatures, including a charmingly cute miniature horse, lurk in unexpected places and antique curios hide among newly commissioned works.
The museum is the work of Trish Bright, a retired stockbroker who bought the former bank with her husband in 2005. The curated odds and ends that fill the space are her ever-growing passion project.
—
“museums are custodians of epiphanies,
and these epiphanies
enter the central nervous system and deep recesses of the mind.”
-george lois
—
credits: museum of whimsy, trish bright, atlas obscura
“One day you finally knew what you had to do,
and began, though the voices around you kept shouting their bad advice —
though the whole house began to tremble
and you felt the old tug at your ankles.
“Mend my life!” each voice cried.
But you didn’t stop.
You knew what you had to do, though the wind
pried with its stiff fingers at the very foundations
though their melancholy was terrible.
It was already late enough, and a wild night,
and the road full of fallen branches and stones.
But little by little, as you left your voice behind,
the stars began to burn through the sheets of clouds
and there was a new voice which you slowly recognized as your own,
that kept you company as you strode deeper and deeper into the world,
determined to do the only thing you could do —
determined to save the only life that you could save.”
—
credits: papercut by annie howe papercuts, poetry by Mary Oliver – ‘Journey.’
it began with the arrival of a letter when i was seven years old
with stamp on it that looked different from any i had ever seen
so beautiful and very exotic
and it came from my nana
who lived far away from michigan, in the exotic land of florida.
i thought that it was beautiful
and i decided then and there to become a stamp collector.
i cut that stamp from the envelope and glued it into a notebook.
not long after
i saw an offer to join a monthly stamp collecting club
in my archie comic book
and i noticed, as i went to send in the offer
that a parent had to sign it
so i asked my dad to give me his autograph on a piece of scrap paper
cut it out and glued it onto the form
(an early foray into my ill-fated attempts at a criminal career)
added in 99 cents from my piggy bank
and i was off to the races.
i eagerly awaited the day my first stamps would arrive
i had chosen some beauties and i ran home every day
hoping to find them in the mail
and on one glorious day – they were waiting for me!
i tore open the envelope
excitedly looked through them
licked them and placed them in my book
already looking forward to the next month’s arrival.
no one in my family was a collector
so i was taken by surprise when i showed them off to my friend’s older sister
who told me that real collectors only put them in cases
never touch them, and would never, ever lick them
– or they would instantly be made worthless!
i was quite taken aback
as it had never occurred to me that
this would be the reason people collected them
i had thought of them more as a collection of tiny beautiful pictures,
pieces of art, from places far away –
new guinea, finland, new zealand and even the legendary land of canada
i had chosen flowers, and children, and animals, and pretty designs
with no interest at all in old president’s heads, history, nor with any regard for value.
my version of ‘stamp collecting’ was simply collecting my favorites
and keeping them all in one place, in my special notebook.
i have always loved a mix of patterns and colors and collages of things.
the other thing i had not considered at all
was that i had no income
and would have to continue to pay in order to continue to receive stamps
the next month, when my new set arrived
i gathered more change together, put it in an envelope,
and of course it was never received.
they sent a new batch of stamps along with a due bill and i was panicked
still without any source of income
always waiting for them to show up at the door to tell my parents and to collect.
by the third month,
i simply collected envelopes that came from them
affixed with boring american stamps,
filled with letters, asking me to pay up
and my stamp collecting hobby fell by the wayside.
though i still have a great appreciation for beautiful stamps
and love licking them to put on handwritten letters that i send to places all over the world.
—
“synonyms for collectable postage stamps: “sticky treasures,”
“collection of paper heads,” “pretty bits of paper,” and “colorful scraps.”
-alan brandley – The Sweetness at the Bottom of the Pie
curbside museum
a small and quirky museum hidden is inside a fence
in canmore, alberta, canada
curbside museum is an unassuming curiosity in the mountain town of canmore, canada. the tiny museum is always packed with intricate little exhibits that rotate every so often. each exhibit is incredibly detailed, their contents all stuffing the glass showcase to the brim with a delightfully unexpected assortment of items.
this tiny museum is hidden within a hole in a fence that lines a busy street. the gilded frame is the only hint that this particular stretch of fence holds more than first meets the eye. you could easily walk right past it if you weren’t paying attention.
you’ll find subjects ranging from common scenes to those that transcend into the realm of fantasy. some of the showcases take on a more serious, factual tone, though many exhibits do indeed have an element of whimsy and charm.

the museum is a fun addition to the town and adds a moment of joy for any pedestrians who stop and take a peek. it’s a reward for eagled-eyed passersby who take the time to notice their surroundings. the museum is free and is open day and night.
“a museum should not just be a place for fancy paintings
but should be a place where we can
communicate our lives through our everyday objects.”
-orhan pamuk
—
credits: curbside museum, atlas obscura.com, city of canmore, alberta