the kinder have begun to create their own art gallery in the space where they play.
—
-romero britto
Feb16
Tag Archives: art
Feb3
driftwood.
a piece of driftwood
mixed in
among the vases and mirrors and tchotchkes and other home decor items
and while i’m a fan of natural found materials
i was not really motivated to spend $39.99 on this
but i do now have an idea for my summer job –
beachcomber.
—
“i imagined your stick, washing in the waves for hundreds of years,
turning to driftwood
smooth and hard like stone.
i imagined a little girl finding it on a beach so many years later.
saving it on her shelf,
where she put the things that made her feel like the world was magical.”
– ava dellaira
Jan13
under the rainbow.
my classroom is chock full of
multi-age kinder (3s-young 5s)
who stay with us for two years.
one of the very best things
is watching the older kinder
who were the younger kinder
just one year before
as they quite naturally and organically grow
to become the leaders/teachers/helpers/mentors
to the new group of younger kinder
who were at home
just one year before.
what a joy it was to watch someone older
spend a very long time
finding all the special markers she needed
to create an easy to see linear rainbow
for someone younger
who wanted to create
her very own rainbow picture
in her very own style
using all the special colors.
judging by their faces
when she finished her very own rainbow
they were both equally proud of the results.
—
“nine tenths of education is encouragement.”
-anatole france
Dec18
big breakfast.
A Single Giant Froot Loop for $19?
A single serving of Kellog’s Froot Loops cereal clocks in at one and one-third cups, weighs 39 grams, and contains 150 calories, according to the nutrition facts printed on the side of the box. Though we’ve never actually counted how many loops are in that single serving, we assume it’s more than one. Oh, you only want one? OK then. Big Fruit Loop is here to deliver.
The Big Fruit Loop is just as the name implies: a single massive loop. It’s also a very much unauthorized version of the longtime breakfast cereal, and it’s the latest drop from Brooklyn-based art collective MSCHF.
That one big loop contains 930 calories and weighs around half a pound, or the equivalent of about half a box of regular Froot Loops mashed into one bowl-filling monstrosity. There’s absolutely no reason for it to exist, which seems to be exactly why MSCHF decided to create it.
“With MSCHF, we are always looking at cultural readymades we can play with,” Daniel Greenberg, MSCHF’s co-founder, told Food & Wine via email. “Cereal is, of course, one of those things. When looking at the object and thinking about what we could do with it, enlarging it to fit the size of the box seemed too perfect to pass up.”
Greenberg declined to explain what the production process for the Big Fruit Loop was like, other than to admit that “it was not easy.” He also said that the company had to reverse-engineer its loop to match the flavor of the Kellogg’s originals. To Greenberg, the two kinds of cereal taste “almost identical.” You know, minus one being gigantic and all.
—
“you may not know this but it’s impossible to open a box of ‘fruit loops’ and just eat the fruit,
let someone else have the loops”
― n
—
credits: food and wine magazine, stacey leasca, photo credit: MSCHF
Dec17
get messy!
so,
after working on
a few holiday projects last night
i noticed at breakfast
that i may still have a bit of collateral glitter around the house.
—
“take chances, make mistakes, and get messy!”
— Ms. Frizzle, “The Magic School Bus”
Nov12
from the heart.
a child in my class made this drawing
and there is something about
the honest simplicity of it
eyes wide open to the world
that i absolutely love
—
“if i create from the heart, nearly everything works; if from the head, almost nothing.”
– marc chagall
Oct18
my message is love.
Refugee Who Paints With a Toothbrush Nominated for Prestigious Art Prize: “My Message Is Love”
For artist Mostafa “Moz” Azimitabar, no paintbrush is as special as the humble toothbrush
Facing persecution in his birth country of Iran, the Kurdish artist and musician fled to Australia in 2013. Once there, he was entered into the immigration system and would spend the next eight years in detention centers. At his first stop, an offshore camp on Manus Island, Papua New Guinea, Azimitabar turned to art to cope with his emotions.
“I asked one of the officers on Manus: ‘Can I have some paint?’… I would like to do some artwork because I don’t want to give up’,” he recalled. The guard refused his request, citing safety concerns. Azimitabar returned to his shared room, frustrated, but refusing to let it go. The reality of his situation forced him to get even more creative. He decided to work with what he had — in this case, coffee and a toothbrush.
“I don’t know what happened … that moment was so special for me. I grabbed the toothbrush and I put it in the coffee and I just dragged it (on some paper),” he said, calling it a “moment of victory.” He continued to experiment with the technique throughout his detainment. “Art and painting helped me to be strong, to continue. Because when I paint, I don’t feel any trauma.”
Then, another moment of victory came over a year after his release in 2021: He was named a finalist for the Archibald Prize, one of Australia’s most prestigious art awards, worth over $70,000. His painting, one of 52 chosen from over 800 submissions, was created using a toothbrush, coffee, and acrylics on canvas. It’s titled “KNS088,” the number the Australian government issued him during his years in detention.
“The message of my painting is love. We are all one family, connected by our humanity.”
-Mostafa Azimitabar
—
credits: Rebekah Brandes, Saeed Kahn/AFP, NSW
Oct1
not whistler’s mother.
*This work, which is a depiction of a fireworks display in London’s Cremorne Gardens, is probably Whistler’s most infamous painting. It was the central issue of a libel suit that involved the art critic John Ruskin and the artist. Ruskin had publicly slandered the work by making the statement, “I have seen, and heard, much of cockney impudence before now; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public’s face.” Whistler won the libel suit; however, he was awarded only the token damages of one farthing. This is one of Whistler’s many “Nocturnes,” which are characterized by a moody atmosphere, a subtle palette, and overall tonalist qualities.
—
“there is only one way to avoid criticism, do nothing, be nothing, say nothing.”
-aristotle
—
*art: James Abbott McNeill Whistler, Nocturne in Black and Gold, the Falling Rocket,
1875, oil on panel. Detroit Institute of Arts, Gift of Dexter M. Ferry, Jr.
Jul29
partings.
Born in 1960 to a Sicilian family living in Morocco and raised in France, Catalano became a sailor in his twenties. This nomadic lifestyle was a major inspiration for his work as an artist. The sculptures of Bruno Catalano, especially, Les Voyageurs show this influence. They delve into themes of travel, migration and journeying. Themes extend into exploring the ideas of home, belonging, loss and the experiences of a “world citizen”. Each statue carries a single suitcase, weighing them down, but also serving as their only means of support. Fascinating technically, artistically, and in its symbolism, the large omissions in the statues leave much to the imagination. Some figures appear to be fading away, while others materialize before our eyes. Contrary to the opinion that travel broadens and enriches, Catalano lamented that all his travels left him feeling that a part of [him] was gone and will never come back. ‘Fragments’ makes full use of this ethereal effect with three sculptures broken down to create one unit. The man looks fragile and delicately held together, losing more and more of himself till only his feet and bag remain.
—
“life is made of so many partings welded together.
-charles dickens
—
credits: Daily Art Magazine
Jul23
“photography is telling stories.” – jim spillane
attending the annual ann arbor art fair
i had great luck and the honor of meeting
photographer/human rights advocate, jim spillane.
i happened by his stall
drawn in by the beauty and subjects of his photographs
especially taken with his pictures of children
after much thought
finally decided on one
a young tibetan child
tiny hands held together in hello.
i asked jim his story
how he had come to take these stunning pictures all over the world.
once a criminal defense attorney in the gerald ford white house
representing vietnam war draft resisters seeking amnesty
he got sick, had a horrible experience
changed his life
trained with an ansel adams associate
began traveling the world
taking photographs of people
his subject is the human condition and the connections and responsibilities we have for each other.
using his pictures as a way to create interest, open discussion, communicate, call attention to a cause
he has worked taking photographs of workers at a nepalese brick factory for many years
created a photo book of the workers
to speak out and to tell their stories with his photographs
still seeking to help those in need and to be an effective advocate for them.
he is a natural artist, storyteller, teacher, advocate, and man.
—
“in recognizing the humanity of our fellow beings, we pay ourselves the highest tribute.”
-thurgood marshall, former justice of supreme court of the united states
—
link to his website: jimspillane.com
link to his book, ‘the face of bricks’: https://www.blurb.com/b/9897011-the-face-of-bricks
I didn't have my glasses on.... 