Poetry is pure white.
It emerges from water covered with drops,
is wrinkled, all in a heap.
It has to be spread out, the skin of this planet,
has to be ironed out, the sea’s whiteness;
and the hands keep moving, moving,
the holy surfaces are smoothed out,
and that is how things are accomplished.
Every day, hands are creating the world,
fire is married to steel,
and canvas, linen, and cotton come back
from the skirmishings of the laundries,
and out of light a dove is born –
pure innocence returns out of the swirl.
–in praise of ironing by Pablo Neruda, translated by Alastair Reid
Everything on the earth bristled,
the bramble pricked
and the green thread nibbled away,
the petal fell,
falling until the only flower was the falling itself.
Water is another matter,
has no direction but its own bright grace,
runs through all imaginable colors,
takes limpid lessons from stone,
and in those functionings plays out
the unrealized ambitions of the foam.
‘the happy poet’ is an indie-comedy, a classic tale of the underdog, fighting the system, and trying to make the world a better place. (and hot-dog free, in this case.) written and directed by paul gordon, who also stars as the lead, ‘the happy poet’ was shot in austin, texas, on a small budget, and released on the film festival circuit. slow-moving, quiet, wryly funny, simply shot, with single piano notes as its only soundtrack, i was quickly drawn into this very human story.
when we meet the poet, he is struggling – in life, in trying to find his happiness, and with no idea about where to go for the answers. he is as dry, deadpan, and honest a character as you will ever meet, and one who has an understated passion for the things he believes in. it’s his sincerity and heart, that draws an eccentric bunch of people to him, each with their own heart of gold, who stay close, keep him motivated, look out for him, and prove their loyalty in interesting ways. I’m happy this poet quietly called out to me from the shelves.
When what we are is what we want to be, that’s happiness. – Malcolm Forbes
image credit: Cinema Libre