now is this isn’t a sure sign of spring, i don’t know what is…
—
“spring makes its own statement,
so loud and clear that the gardener seems to be only one of his instruments,
not the composer.”
-geoffrey charlesworth
—
Art credit: Margaret Tarrant – The Fairy Troupe / Spring’s Flowery Cloak. Circa 1920s painting. A female sprite with a blue cloak shepherds tiny fairies and elves, each carrying a spring flower, through the undergrowth. Published by the Medici Society.
when someone in our class
got injured while playing outside
the kinder quickly sprang into action
creating art and cards for their friend
23 pieces of art from 14 children
given to her to know she was cared about
a quiet smile was her gift back to them.
—
“making art is like giving a gift: evidence of your spirit and that you are here.”
– paddy mitchell
not my trout, but an artist who creates in my style
—
a few or five decades back
in my elementary school years
i undertook a project that i loved
an end-of-the-year
comprehensive non-fiction report
covering a wide swath of the animal kingdom
involving research, factual write-ups, and illustrations.
i worked on this tirelessly
gleaning material
from the only source i used for everything
our set of encyclopedias
(no google to be found)
all was going well
until i came to the rainbow trout
with no illustration provided
i used my imagination
creating my own vision
of what a rainbow trout might look like
a beautiful striped fish
with every color of the rainbow
spanning across its shiny and scaly skin
at last
the final piece in my big report complete
rechecked everything
put it all in my new yellow folder
decorated the cover
proudly turning it in
waiting for my teacher’s response
she perused our reports
while we had silent reading time
then called me up to her desk
with the hugest of smiles on her face
my report open to the rainbow trout page
telling me that she was going to give me an a+
she said she could see
i was truly a creative
even more than a scientist
that both were good things to be
and she was right.
“the fish was a twelve inch rainbow trout with a huge hump on its back – a hunchback trout.”
-richard brautigan
the kinder create with loose parts
dressed all in yellow.
clearly in their yellow period.
—
“yellow is the color which is closest to light.
we associate the rays of the sun and the stars with it.
it is the radiance of the spirit.”
– ueli seiler-hugova
one of the kinder drew this portrait of me in class
and
it is one of my favorite portraits of all time.
—
‘every portrait that is painted with feeling is a portrait of the artist, not of the sitter.”
-oscar wilde
the kinder drummed on paint while listening to music
creating vibrant, splashy, coloring-bursting art
—
“creativity is intelligence having fun.”
– albert einstein
popcorn is art and one of my favorite snacks
(though it’s no flamin’ hot cheetos!),
something to consider on national popcorn day.
Raining Popcorn (2001) is a piece commissioned by the Faulconer Gallery of the Grinnell College in Iowa. The commission would take artist, Sandy Skoglund many months to complete. In Skoglund’s art practice, the conceptual subject matter works in conjunction with the physical materials she uses, drawing on historical references, and instilling them with psychologically complex meaning.
Produced in 2001, just before the September 11 attacks, Raining Popcorn references the complex roots of American contemporary culture and overconsumption. The unifying subject throughout the piece is popcorn, so pronounced and repetitive it replaces nature. The popcorn becomes an all-encompassing reality, lining the walls, the floors, the subjects, and alas growing from trees. This obsessive environment constructed by Skoglund derives from the artist’s desire to combine sculptures of animals, live humans, and nature into a space that involves thought and play, as part research and part recreation.
The abundance of Popcorn acts as a reflection of the cultural environment, being noisy, excessive, universal, and part of popular culture. Currently, Americans eat 13 billion quarts of Popcorn a year, produced mostly in the heartland of America, from Illinois to Ohio. The piece is a response to memories and experiences Skoglund felt as a graduate student in Iowa.
The painstakingly handcrafted quality of the endless popcorn creates a fantasy landscape, one that raises questions about climate issues and our surrounding environment, as well as fantasy and reality. In Raining Popcorn, Skoglund’s objects and composite staging have a base in truth; they are not a product of photoshop or digital manipulation. It is critical for the artist that the photographs evidence something genuine. The constructions are explicitly staged to be photographed from one unique viewpoint.
—
“americans love popcorn, and their love doesn’t quit.”
-rosecrans baldwin
—
Credits: Sandy Skoglund, Raining Popcorn – Holden Luntz Gallery
Every fall in Osijek, Croatia – Nikola Faller, academic sculptor and Osijek land artist, creates this magic.
Her drawings are made by raking leaves.
—
“every photographed object is merely the trace left behind by the disappearance of all the rest.
it is an almost perfect crime,
and almost total resolution of the world,
which merely leave the illusion of a particular object shining forth,
the image of which then becomes an impenetrable enigma.”
-jean baudrillard
—
image credits: plava planeta, suzana vida-suz
Ann Arbor has innumerable large- and small-scale murals already, but they have new company as the result of a crowdfunded project to bring art to walls and alleys around town.
In July, the Ann Arbor Art Center (A2AC) raised more than $50,000 to commission 10 murals around the city. The fundraiser was through Patronicity, and once the goal was met, the Michigan Economic Development Corporation (MEDC) matched the donations to double the money available to the mural artists. At the onset of the project, 10 artists paired with local business owners on the sites of their future murals. In October, two additional murals were announced, raising the total to 12. This initiative is part of the ongoing A2AC Art in Public program that aims to make art “accessible and equitable to everyone,” relying on community-based donations.
Since the Art Center helped crowdfund two other public murals in the recent past, those have been added to the A2AC Murals Map, which features a walking tour of all the works. Currently, 13 murals are finished, with the 14th debuting sometime in 2021.
“one can speak poetry just by arranging colors well.”
-vincent van gogh
the holy grail for me, as a great admirer of fairy houses, i finally had the chance to see
colleen moore’s dream come true and breathtaking fairy castle
at the museum of science and industry in chicago
—
Silent film star Colleen Moore was always fascinated by dolls and doll houses. She owned several elaborate doll houses as a child, but later in life her father, Charles Morrison, suggested that she should pursue her passion for miniatures and doll houses by creating the “doll house” of her dreams. Her position as a popular actress in Hollywood gave her the resources to produce a miniature home of fantastic proportions. Beginning in 1928, Moore enlisted the help of many talented professionals to help her realize her vision.
Creating the Fairy Castle
Horace Jackson, an architect and set designer who worked for First National Studios, created the floor plan and layout of the castle with the basic idea that “the architecture must have no sense of reality. We must invent a structure that is everybody’s conception of an enchanted castle.
Moore also enlisted the help of art director and interior designer Harold Grieve. Grieve had designed the interiors for Moore’s actual mansion, so he was a natural to create the interiors of her fantasy castle.
By 1935, approximately 100 people worked on the Fairy Castle. The price tag for this 8’7″ x 8’2″ x 7’7″ foot palace, containing more than 1,500 miniatures, was nearly $500,000.
On Tour
In 1935 Colleen Moore’s child-like fascination with her Fairy Castle was transformed by the Great Depression into a passion for helping children. She organized a national tour of the Fairy Castle to raise money for children’s charities. The tour stopped in most major cities of the United States and was often exhibited in the toy departments of prominent department stores. A brochure from The Fair in Chicago promotes it: “A museum in itself—it awaits you—starting November 15th in our Eighth Floor Toyland. You will want to see it again and again.” The tour was a huge success and raised more than $650,000 between 1935 and 1939.
Coming “Home” to the Museum
In 1949 Major Lenox Lohr, director of the Museum of Science and Industry, convinced Colleen Moore to have the Fairy Castle make one final journey. She described their encounter as follows: “When I was seated next to Major Lohr at a dinner recently in the directors’ coach at the Chicago Railroad fair, he mentioned the doll house while we were having soup, and by the time dessert was served, he had the doll house!”
Millions of guests have enjoyed their visit to the castle since it first arrived at the Museum, and it remains a timeless reminder of the imagination, ingenuity and craftsmanship of cultures and artisans all over the world.
—
“a dream Is a wish your heart makes”
– song written and composed by Mack David, Al Hoffman and Jerry Livingston
for the Walt Disney film Cinderella (1950).
I didn't have my glasses on.... 