Tag Archives: art

speakeasy.

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whenever I’ve visited my friends’ lake house in the irish hills of michigan, there has never been a shortage of lakes and trees to be enjoyed. on one recent visit they took me on a walk through a very special place that I’d been wanting to see since hearing about it. at first impression it appears to be a beautiful, rolling, wide open natural space, but there is much more to it than first meets the eye.

once known as aiden lair, and now known as mccourtie park, it was formerly the 42-acre estate of herb mccourtie, a cement magnate. its trademark is its concrete bridges artistically handcrafted to resemble wooden structures. a visionary who loved architecture for art’s sake, mccourtie showed the versatility and beauty of the product he manufactured in 17 bridges that he commissioned to be created on his property using the 19th-century lost art of “el trabajo rustico” (the rustic work) in faux bois (imitation wood).

for more than 10 years, two mexican artists, george cardoso and ralph corona, created the bridges that span the creek on the property, as well as two concrete trees that cleverly hide the chimneys to his rathskeller. the bridges were individually created from wet mortar to resemble ropes and logs simulating native trees, such as oak, walnut, cherry, birch and beech. the intricate details include knots, insect holes, saw cuts, wood grain and even moss, lichen and beetle holes. an elaborate system of underground wires provided lights on and under some of the bridges. in addition, he created two huge pools, one for use as a swimming pool and the other as a fishing pond for his guests’ enjoyment.

(stills hidden in the cement ‘trees’ mixed among the natural trees)

known for giving lavish parties, he hosted a homecoming celebration every year that drew thousands of people to aiden lair to witness stunt flyers and enjoy baseball, local musicians, dancing and free refreshments. in the underground garage and rathskeller he created, he threw all-night poker parties that were attended by the likes of detroit auto baron henry ford.

throughout its history, the park has been the subject of rumors and legends. mccourtie’s rathskeller, which features a large bar, fieldstone fireplace, and vault, is rumored to have been a speakeasy during prohibition and a stopping point for al capone and other gangsters who bootlegged whiskey from chicago to detroit on U.S. 12.

it’s also been rumored that there are tunnels under the park property that served as stations for runaway southern slaves on the underground railroad. some people have reported sightings of a ghostly “lady in blue” strolling the grounds in old-fashioned clothing.

(a peek into the window of what used to be the ‘rathskeller’ – a bit creepy now)

in 1991, mccourtie park was named to the state register of historic sites by the michigan historical commission. the next year, it was added to the national register of historic places by the national park service.

 

 

“prohibition has made nothing but trouble.”

-al capone 

 

 

 

 

 

source: mlive

storybook trail.

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such a wonderful discovery made

when walking in a park near my daughter’s house

an illustrated storybook trail

with pages spread throughout the woods

placed there by the village and the local library

a perfect pairing.

“we tell stories in order to feel at home in the universe.”
— Roger Bingham, British science communicator, writer, public television producer and host

dance.

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 a great day spent watching the grandies and a few friends get their dance on.

“you live as long as you dance.”

-rudolf nureyev

passing the time.

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Time is important at an airport, with thousands of people running back and forth trying to get their plane on time. This is why most airports are full of clocks everywhere, helping to guide harried travelers. Schiphol Airport in the Netherlands is no exception, but it offers a twist: a giant clock that appears as if a man is busy painting it real time, minute by minute. 

Schiphol Clock

It appears as if a man is standing behind this giant airport clock, painting the hands in real time. The painter is actually a 12-hour-long recording, that gives a convincing illusion that a human is standing inside the translucent clock, busy at work as the hands go around. This creative timepiece is the latest work of Maarten Baas, a well-known Dutch artist and designer that has a series of similar live clock recordings.

The Schiphol Airport clock was created by Baas in 2016. The man inside the clock is wearing blue overalls and has a yellow rag in his pocket. This, together with his red bucket, is meant to be an homage to the famous Dutch artist Mondrian.

The clock can be seen in the airport’s International terminal, so it is only visible to people leaving the European Union via Amsterdam Airport Schiphol, located in the International terminal.

we say that time passes, time goes by, and time flows.

those are metaphors.

we also think of time as a medium in which we exist.

-james gleick

 

 

sources: atlas obscura, dutch design daily

art is community.

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‘los trompos,’ (spanish for spinning tops)

a giant spinning top art installation,

visits detroit’s beacon park from mexico city

'Los Trompos.' - ABEL KLAINBAUM

the eight giant, colorful tops, designed by *héctor esrawe and ignacio cadena, are large enough for multiple people to sit or stand inside them, and visitors are welcome to take a spin. they were designed to facilitate play, celebrate culture, and bring people together to interact and connect. Los Trompos is an interactive piece that comes to life when people engage with it. the tops are based on the construction of the actual toy and reflect the work of mexican artisans, as well as mexican culture, art, and architecture. 

community comes together to dance in the park
so fun to be here
as all kinds of people stopped by
just to play and connect with each other. 

“simply enjoy life and the great pleasures that come with it.”

-karolina ku

credits: sonia kahleel, metro times

 * héctor esrawe is an industrial designer with a cross-disciplinary design atelier located in mexico city. ignacio cadena is the founder of cadena+asoc. concept design, a mexico-based interior design firm. the two often collaborate with each other, and together they won two interior design best of year awards in 2017

light and color.

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playing with light and color

creating a new vision.

 

— 

“light, that first phenomenon of the world,

reveals to us the spirit and living soul of this world through color.”

~ johannes itten, bauhaus colorist

 

fold.

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i held this gift of a tiny origami star

made from a square of beautiful paper

admiring it in my hand for a time

knowing it will be held in my memory

for a long time to come.

“WHEN YOU FOLD A PIECE OF PAPER,

YOU’RE ESSENTIALLY CHANGING THE MEMORY OF THAT PIECE”. 

-ERIC DEMAINE

the language of trees.

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NYC Parks Are Using a Designer’s ‘Tree Font’ to Plant Secret Messages with Real TreesNew York City Tree Font Alphabet by Katie Holten

Inspired by the nature around her, artist Katie Holten recently developed the New York City Tree Alphabet. Each letter is represented by an illustration of a different type of tree found in NYC. The letter A, for example is depicted as an ash tree, and the letter O is illustrated as an oak.

Holten is one of the first creatives to become an NYC Parks artist-in-residence, where she was asked to explore “the intersection of art, urban ecology, sustainability, nature, and design.” Holten’s resulting NYC Trees font is now available as a free download to anyone who wants to write secret messages in tree code. Not only that, but the NYC Parks Department plans to actually plant some of the messages as real trees in parks and other public spaces.

“Being an artist-in-residence with Parks meant that I could create a ‘real’ tree alphabet. When I say real, I mean legitimate, sanctioned, approved by the city,” Holten explains. “Often, this is exactly what you don’t want with/for an artwork! But in this case, because I really feel the project is a public service—providing a tool that people can use to interact with public space in a whole new way—it needed to be truthful and practical. It had to be something we could actually plant and that the city supported.”

Holten is currently accepting message submissions via her website. From poems to love letters, you can test out how your words would look as trees using the “Write with Trees” function on her homepage. “Right now, we’re leaving it completely wide open, so we’ve no idea what messages we’ll be planting. I’m excited to see what people send us,” Holten writes. “People have been suggesting words like ‘Dream,’ ‘Hope,’ and ‘Peace.’ But we’re also receiving longer messages, love letters, poems, and short stories. We’re curious to see how we could translate a long text into a grove of planted trees. It’s an exciting challenge and we can make up the rules as we go along, so anything could happen.”

Do you have a message you’d like to translate into your own custom forest? Planting begins in April 2019 in New York City. Download the font for free and check out Holten’s website for more details on the project.

Artist Katie Holten developed the New York City Tree Alphabet—each letter is represented by an illustration of a different type of tree.

New York City Tree Font Alphabet by Katie Holten

“i think that I shall never see a poem lovely as a tree.”
-joyce kilmer

image credit: Katie Holten 

other credits: mymodernmet.com, emma taggert

making money.

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kinders have taken up a new hobby – counterfeiting.

 they are now officially a gang.

‘i have ways of making money that you know nothing of.”

-john d. rockefeller

legends.

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King Arthur at Tintagel, Cornwall. On the cliff by his castle.

Sculptor Rubin Enyon creates unforgettable public artwork using a variety of mediums—from wood and stone to iron and bronze. His recent work, Gallos, was installed in April 2016, overlooking the Atlantic Ocean on the cliffs of Tintagel. The stately 8-foot-high bronze sculpture was not only inspired by the legend of King Arthur, but also Tintagel Castle’s history. Commissioned by English Heritage, the public sculpture is located in Tintagel, a village in Cornwall, known as the legendary site of King Arthur’s conception.

 

“all the great legends are templates for human behavior.

i would define a myth as a story that has survived.”

-john boorman

 

 

 

credits: rubin enyon- sculptor, selectcornwall.co.uk, british medieval history, english heritage